Jul 19, Wiki for Collaborative Studies of Arts, Media and Humanities. May 27, Jacques Derrida & Bernard Stiegler: Echographies of Television. “[T]he greatest compatibility, the greatest coordination, the most vivid of. Echographies of Television has 42 ratings and 3 reviews. In this important new book, Jacques Derrida talks with BernardStiegler about the effect of telet.
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Jacques Derrida & Bernard Stiegler, Echographies of Television Filmed Interviews – PhilPapers
All this is a question of spirit and of inheritance. Stiegler describes grammatisation as follows: Read, highlight, and take notes, across web, tablet, and phone. Please improve this by adding secondary or tertiary sources.
The televisipn is to know how to take advantage of these opportunities for transformation which will emerge from technological advances. Derrida concludes by stating that he does not believe in the return of Communism in the form of the party, yet he does believe in the return of critiques which are Marxist in inspiration and spirit.
Echographies of Television: Filmed Interviews – Jacques Derrida, Bernard Stiegler – Google Books
This doubt must be doubled by another doubt, a positive, resolute doubt leading to new forms of “objective analysis” and “subjective synthesis,” and therefore to a new kind of belief and of disbelief. Just a moment while we sign you in to your Goodreads account.
There is more than one spirit, and thus when we speak of spirit, we choose one spirit over another, affirm one injunction or interpretation over another, and thus take up a responsibility.
Karl Vicente rated it did not like it Echographues 06, Chapter 2 Artifactuality, Homohegemony. Nina Zimnik – – Film-Philosophy 4 1. Thus the evolution of both forms of synthesis, technical and spectatorial, occurs as one composed process, in what Gilbert Simondon calls a “transductive relation”.
Echographies of Television Filmed Interviews
To each of the epochs of reproducibility corresponds three different kinds of belief. To address Stiegler’s question would mean, Derrida says, knowing what one means by the market in a world in which there is an increasingly “globalised” circulation of televisual commodities. What does it mean to speak of the present in a situation of “live” recording? Improvising before a camera, the twophilosophers are confronted by the very technologies they discussand so are echogrqphies to address all the more directly the urgentquestions that they raise.
This is because the digital photograph suspends a certain spontaneous belief which the analog photograph bore within echographis He argues that “actuality” ecchographies always a matter of “artifactuality,” involving selection, editing, performativityand thus amounting to a “fictional fashioning”.
Huffa rated it really liked it May 07, Stiegler on Derrida, Life, and the Technological Condition. Fidelity at the Limits of Deconstmction and the Prosthesis of Faith. Improvising before a camera, the twophilosophers are confronted by the very technologies they discussand so are forced to address all the more directly the urgentquestions that they raise.
Gabriele Girolamini rated it it was ok Mar 08, Return to Book Page. Complica tanto todo, y da tantas vueltas, que entenderlo es un verdadero sacrificio. That we experience the progression of images in film as a continuous movement is less the result of retinal persistence than it is of the spectator’s expectationswhich work to efface the editing.
Theirbook will be of great interest to all those already familiar withDerrida’s work, as well as to students and scholars of philosophy, literature, sociology and media studies. Jun 12, Micaela rated it liked it. Stiegler asks Derrida about his term, “artifactuality,” which indicates that the construction of “actuality” passes through the artifact or the artificial, that it involves a selection. This is, in a way, a matter of the past touching me in the present, of something coming to touch me from out of the night of the past.
Arianada rated it it was amazing Jul 27, The book opens with a shorter interview with Derrida on the news media, and closes with a provocative essay by Stiegler on the epistemology of digital photography.
Bernard Leconte – In “Artifactualities,” Derrida begins by stating that “to think one’s time” means, more than ever, thinking how this “time” is artificially produced, an artifact. Jacques Derrida has been awarded the prestigious Theodor W.
Churchill Snippet view – Be the first to ask a question about Echographies of Television. Roger Whitson rated it liked it Sep 08, What does it mean to speak of thepresent in a situation of “live” recording? In “Echographies of Television,” Stiegler begins by noting that Derrida, in agreeing to record their telebision, asked for a “right of inspection”.
Theirbook will be of great interest to all those already familiar withDerrida’s work, as well as to students and scholars of philosophy,literature, sociology and media studies.
Adam Stein rated it it was amazing Aug 05, This new International without party, which does not accept the imposition of a new world ordermust be echogrxphies, Derrida argues, than a matter of being able to take the time to dchographies Marx slowly and carefully, now that “Marx is dead”.
Andreina D’Arino rated it liked it Feb 20, As Derrida and Stiegler discuss the role televosion teletechnologies in modern society, the political implications of Derrida’s thought become apparent. Improvising before a camera, the two philosophers are confronted by the very technologies they discuss and so are forced to address all the more directly the urgent questions that they raise.